Londres
Berkeley Repertory
Berkeley - Etats-Unis
Construction:
Topologie du théâtre
Nombre de salles actives: 1
Salle 1: () - Actif
Accès
En métro:
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Adresse:
Evolution
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Propriétaire(s)
Remarquable
- Actif
Musical
Original
3) Amélie (Original)
Joué durant 1 mois 1 semaine
Première preview: 28 August 2015
Première: 11 September 2015
Dernière: 18 October 2015
Compositeur: Daniel Messé •
Parolier: Daniel Messé • Nathan Tysen •
Libettiste: Craig Lucas •
Metteur en scène: Pam MacKinnon •
Chorégraphe: Sam Pinkleton •
Avec: Samantha Barks (AmeÌle), Randy Blair (Hipolito), Adam Chanler-Berat (Nino), Alison Cimmet (Amandine / Philomene), Carla Duren (Gina), John Hickok (Raphael / Bretodeaux), Alyse Alan Louis (Georgette / Fluffy / Sylvie), Paul Whitty (Joseph),
Maria-Christina Oliveras (Suzanne), Tony Sheldon (Dufayel / Collignon)
Commentaire: Original scheduled to close on October 4. The run was extended. (plus)
Presse:
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Musical
Pre-Broasway Try Out
2) American Idiot (Pre-Broasway Try Out)
Joué durant 2 mois
Première preview: 04 September 2009
Première: 15 September 2009
Dernière: 15 November 2009
Compositeur: Green Day •
Parolier: Billie Joe Armstrong •
Libettiste: Billie Joe Armstrong • Michael Mayer •
Metteur en scène: Michael Mayer •
Chorégraphe: Steven Hoggett •
Avec: Johnny - John Gallagher, Jr. / Will - Michael Esper / Tunny - Matt Caplan / St. Jimmy - Tony Vincent / Whatsername - Rebecca Naomi Jones / Heather - Mary Faber / The Extraordinary Girl - Christina Sajous / Favorite Son - Joshua Henry
Commentaire:
Presse: “American Idiot is that rare creature, a true rock opera…directed with polish and precision by Michael Mayer, on a spectacular set by Christine Jones…Green Day’s potent gift for irresistible tunes delivers the emotional contours of the story…their lushly melodic music is played with impressive raw power…American Idiot possesses a stimulating energy and a vision of wasted youth that holds us in its grip.”—New York Times
“Wildly entertaining…The music of Green Day practically blasts the lid off Berkeley Rep’s Roda Theatre. The cast and creative crew match the pulsating wall of sound for sheer energy and pump it up with Broadway-quality pipes, stage-rattling, thrashing choreography, flying bodies and walls crammed with pulsating video and projected images. Never has the Roda appeared more expansive yet bursting with images and action…The rock opera that opened Wednesday, in a world premiere with Broadway aspirations written all over it, packs plenty of excitement and entertainment into a remarkably theatrical rock concert…The lyrics are crystal clear as well. Every poetic twist and angry pun of Armstrong’s words comes through.”—San Francisco Chronicle
“Rock on! The much-anticipated Green Day musical delivers big-time…A collaboration between veteran Broadway director Michael Mayer and Billie Joe Armstrong, the Berkeley-bred punk trio’s frontman, the amped-up rock opera is now in its explosive world premiere…Intensely directed from start to finish, the relentless adrenaline rush of the piece makes its rare moments of quiet hit home that much harder…On the heels of Passing Strange, the last alternative-rock musical Berkeley Rep sent to Broadway, this production marks the troupe’s emergence as a major player in the development of hip, new musicals that harness the effervescence of pop culture.”—Bay Area News Group
“The cast, led by Tony-winner John Gallagher Jr., is phenomenal and the physicality they bring to the show and Steven Hoggett’s punk-esque choreography deserves a lot of praise. The sets, lighting, video and projection design are all amazing, creating a huge, urban jungle gym of concrete platforms, flat-screen TVs, and ad-plastered walls that keep every scene visually alive…This show is a sure-fire crowd pleaser—last night’s audience leapt to its feet twice.”—SFist.com
The San Francisco Examiner says American Idiot is “opening the world of theater to people who’ve not experienced its power before.”—San Francisco Examiner
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